If your hairline is receding, a high fade can also help you disguise the retreat, assuming you keep the hair on top short too. “A high fade can look perfect blended with styles such as flat tops, buzz cuts, textured crops and undercut haircuts,” Abbott says.įiner hair can also benefit from a high fade cut, as the more extreme sharpness around the sides creates an effective contrast and helps to highlight more weight and depth over the top – even if the hair itself isn’t particularly thick or full. Yet with well-considered and edgier styles this doesn’t look awkward, but full of intention and attitude. A longer hairstyle carries more risk being paired with such a notable fade, as the contrast in weights and colour can look drastic or unbalanced in profile. High fades generally work better when they’re blended with shorter styles across the top, however this isn’t an exclusive rule. If you have a long or narrow face shape, this might not be the best option for you, but if you have a rounder face, a high fade can give you more definition. High fade haircuts have a tendency to elongate the face by showing more skin. It can also make your haircut much easier to manage in the process. If you want these all-important areas to sit as cleanly and tightly as possible and bring the most attention to the top, commit to a high fade. You might find that other fades only really impact the lower sections of the back and sides before blending into longer hair working up. This means that the majority of your head through the back and sides could essentially be cut to fully exposed skin for the sharpest appearance. No uneven shaping caused by unwanted bulkiness around the edges, either.īy blending in much further up the head towards the crown, a high fade enforces a more extreme area of shortness to sit below it. No more irritation from hair growing over the ears just a week after you visit the barber. One of the main benefits of getting any kind of fade haircut is the guaranteed cleaning up of the back and side sections. A high fade can still achieve a smooth and light blend within this section, it’s just naturally compressed within a tighter space compared to others.Ī higher fade circling above the temple should form a clean and neutral template for the rest of your haircut to be styled up from and can also set you up nicely for a more extreme parting, disconnect or undercut from the top – if that’s what you’re in the market for. By bringing the bottom line of the fade further up the head, you give more space for the smooth skin fade to sit below but less space for the hair to transition from essentially nothing into some length before reaching the top. When it comes to cutting a high fade, the appearance can often be referred to as being ‘compressed’. From this section, you can then start to work the fade in higher up than you normally would with others.” “You want a nice transition between shaved skin and hair running up into the curvature of the head. “When cutting a high fade you should be starting the clipper cut from the base of the head and then work your way up to the temple area, just before the head starts to curve,” explains Franky Abbott, senior barber at Murdock London, as he breaks down the process to achieve the strongest looking high fade possible. The defining feature of a high fade is that the hair stays extremely short all around the back and sides before blending in at the top of your head, usually above your temples. The bottom is usually cut at grade zero and, with a barber who knows what they’re doing, the style blends gradually into the longer hair on top. A fade haircut is when the hair on the back and sides of your head is trimmed in incremental sections that get slightly longer the further up your head you go.
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